Bach Bibliography
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Series : ^[ce]ExploringBMM$
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TypeListTitle[further info]SeriesVolNoYearPagesStatus
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1. Past, present and future perspectives on Bach's B-minor Mass. [ce]ExploringBMM 2013 3-20
2. Bach's Mass: 'Catholic' or 'Lutheran'? [ce]ExploringBMM 2013 21-38
3. Bach's Missa BWV 232I in the context of Catholic Mass settings in Dresden, 1729-1733. [ce]ExploringBMM 2013 39-53
4. The role and significance of the polonaise in the 'Quoniam' of the B-minor Mass. [ce]ExploringBMM 2013 54-83
5. 'The Great Catholic Mass': Bach, Count Questenberg and the Musicalische Congregation in Vienna. [ce]ExploringBMM 2013 84-104
6. Some observations on the formal design of Bach's B-minor Mass. [ce]ExploringBMM 2013 107-124
7. Chiastic reflection in the B-minor Mass: lament's paradoxical mirror [ce]ExploringBMM 2013 125-141
8. Parallel proportions, numerical structures and Harmonie in Bach's autograph score. [ce]ExploringBMM 2013 142-162
9. Many problems, various solutions: editing Bach's B-minor Mass. [ce]ExploringBMM 2013 165-185
10. Manuscript score No. 4500 in St Petersburg: a new source of the B-minor Mass. [ce]ExploringBMM 2013 186-214
11. Haydn's copy of the B-minor Mass and Mozart's Mass in C minor: Viennese traditions of the B-minor Mass [ce]ExploringBMM 2013 217-243
12. 'A really correct copy of the Mass'? Mendelssohn's score of the B-minor Mass as a document of the Romantics' view on matters of performance practice and source criticism. [ce]ExploringBMM 2013 244-266
13. The B-minor Mass in nineteenth-century England. [ce]ExploringBMM 2013 267-286
14. Bach's B-minor Mass: an incarnation in Prague in the 1860s and its consequences. [ce]ExploringBMM 2013 287-297
15. Exploring Bach's B-minor Mass. [ce]ExploringBMM 2013 xxix, 314p

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